Last chance to submit!

Still haven’t sent us your poem for our poetry installation, Beneath The Boughs?

The FINAL DEADLINE is coming up: MIDNIGHT, SUNDAY 30TH JUNE

Make sure we’ve received your poem by then, or it won’t be considered for the exhibition!

Send us your poems on the theme of nature at a maximum of ten lines long. (This doesn’t mean your poem has to be ten lines. We’d love to see shorter works as well.)

For more details of how and where to submit, click here.

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Submit to ‘Beneath The Boughs’ (May)

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This is the fourth (and penultimate) of our monthly calls for submissions for Beneath The Boughs. The call for poems from the previous months yielded some great results, and we’d love to continue receiving your fantastic poetry for our upcoming summer exhibition, ‘Beneath The Boughs’. (The exhibition will run from July 19th to September 9th 2013. Read more about the project here.)

For a chance to be involved in the exhibition, and to have your work displayed in the beautiful historic gardens of Lowther Castle, send us your SHORT POEM(S), a maximum of TEN LINES.

Please ensure that we receive your submission(s) by the deadline of 23:59, Friday 31st May, 2013.

For information on how to submit, as well as submission guidelines, click here.

If you’re looking for inspiration, then check out the pictures in our insipration gallery.

(Although we are posting new monthly poetry prompts for the exhibition until June, the earlier you send in your work, the more chance you have of getting it displayed, so don’t dawdle too long! Looking forward to seeing your work.)

Submit to Beneath The Boughs (April)

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This is the third of our monthly calls for submissions for Beneath The Boughs. The call for poems from February and March yielded some great results, and we’d love to continue receiving your fantastic poetry for our upcoming summer exhibition, ‘Beneath The Boughs’. (The exhibition will run from July 19th to September 9th 2013. Read more about the project here.)

For a chance to be involved in the exhibition, and to have your work displayed in the beautiful historic gardens of Lowther Castle, send us your poem(s) inspired by the above photo, and the theme of DISCOVERY.

Please ensure that we receive your submission(s) by the deadline of 23:59, Tuesday 30th April, 2013.

For information on how to submit, as well as submission guidelines, click here.

(If you really aren’t inspired by this theme and photo, then you can also send us a poem inspired by one of the pictures in our insipration gallery. Remember, the same guidelines and deadline apply.)

And keep your eyes peeled. There’ll be a new prompt here in May!

(Although we are posting new monthly poetry prompts for the exhibition until June, the earlier you send in your work, the more chance you have of getting it displayed, so don’t dawdle too long! Looking forward to seeing your work.)

Submit to ‘Beneath The Boughs’ (March)

IMG-20120907-00181

Welcome to the second of our monthly calls for submissions for Beneath The Boughs. February’s call for poems yielded some great results, and we’d love to continue receiving your fantastic poetry for our upcoming summer exhibition, ‘Beneath The Boughs’. (The exhibition will run from July 19th to September 9th 2013. Read more about the project here.)

For a chance to be involved in the exhibition, and to have your work displayed in the beautiful historic gardens of Lowther Castle, send us your poem(s) inspired by the above photo, and the theme of REMNANTS.

Please ensure that we receive your submission(s) by the deadline of 23:59, Sunday 1st March, 2013.

For information on how to submit, as well as submission guidelines, click here.

(If you really aren’t inspired by this theme and photo, then you can also send us a poem inspired by one of the pictures in our insipration gallery. Remember, the same guidelines and deadline apply.)

And keep your eyes peeled. There’ll be a new prompt here in April!

(Although we are posting new monthly poetry prompts for the exhibition until June, the earlier you send in your work, the more chance you have of getting it displayed, so don’t dawdle too long! Looking forward to seeing your work.)

‘The poem acquires independence…’

‘There is a process called annealment, the heating to a high temperature and slow cooling of glass or metal, to toughen them. Making a poem feels like that, writing as yourself and reading it back as someone else. Distance, perspective, irony, derision (terribly important!), all come into the picture. The poem acquires independence, the poet, in Montale’s comparison, is like the props man who’s stumbled upon it, “unaware that he’s / the author”.’

- Michael Hoffman, “I happen to believe” (2000)

‘I write to find out what I didn’t know I knew.’

‘Cosmopolibackofbeyondism’ – Robert Crawford

‘Cosmopolibackofbeyondism is a creed with a wink in it. Poetry’s obsessions – love, death, God, sound, silence – travel across times and cultures; nothing could be more cosmopolitan. At the same time, verse is a marginal act, operating way out at the back of beyond, at the limits of what can be said. Its centrality and marginality are bonded.

Every poem is an island. To get to a poem requires sailing out from the mainland of routine language. Some poems are close to shore, others much further away; on every island it is possible to feel remote and at home. A poem is defined by the rugged shore of its right-hand margin, cutting it off from prose. Yet just as any poem-island has the tang of the back of beyond, it has, too, aspects, shared speech-forms, political shapes, faiths, which link it to other places. All poems are connected, most simply through the shared cosmopolis of verse.’

- Robert Crawford, Cosmopolibackofbeyondism (2000)

‘Art’s whatever you choose to frame…’

‘…a poem is simply a piece of writing which, when I read it, I recognise as a poem and not just as something pretending to be one. What is the difference between poetry and prose? Prose fills the page-width; a poem has white space around it. (‘Art’s whatever you choose to frame,’ as I found myself writing at the end of a poem about how looking at paintings in a gallery changes one’s view of the world outside.)’

- Fleur Adcock, Not Quite a Statement (2000)

Zukofsky – A Statement for Poetry

‘Any definition of poetry is difficult because the implications of poetry are complex – and that despite the natural, physical simplicity of its best examples. Thus poetry may be defined as an order of words that as movement and tone (rhythm and pitch) approaches in varying degrees the wordless art of music as a kind of mathematical limit. Poetry is derived obviously from everyday existence (real or ideal).’

- Louis Zukofsky,  A Statement for Poetry (1950/1967)

Beneath The Boughs – click to submit

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